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TEFAF in Maastricht impresses Brian Boucher at Artnews: “Despite global unrest and an ever-escalating conflict in the Middle East, the dealers interviewed by ARTnews at their stands at the TEFAF art fair in Maastricht – insofar as they were willing to discuss their sales – appeared more than satisfied – even if, as one dealer noted, collectors from the Middle ... read more
Sarah Belmont explores possible reasons for Arco's somewhat sluggish opening for Artnews: "Some mentioned a competing breakfast event that may have diverted VIP attention. Others speculated whether the current geopolitical climate had prevented the attendance of collectors from the Gulf. But Arco has always followed its own tempo, and by noon, the aisles were teeming with visitors. ‘We haven't sold ... read more
It's all sunshine and roses, reports Maximilíano Durón from Frieze LA in Artnews: "From the beginning, the fair was packed with visitors. There's a slightly new layout this year, which helped make the fair feel less cramped. The fresh layout also created the sense that the fair was well-attended. Certainly, the energy was buzzing. The 95 exhibitors at the fair ... read more
I was the only member of the international press trip to Maze Art Gstaad. Since the format is quite exciting, here is a little more than the usual link to Artmagazine: "The timing couldn't be better. Nor could it be worse. The Rosey Long Weekend brings the alumni of what is probably the most prestigious (and most expensive) boarding school ... read more
While Art Basel Qatar seems to be demanding a media break from most outlets, the fair itself is having a lasting impact. In a long essay for Republik.ch (free registration required) that is well worth reading, Jörg Heiser places Art Basel Qatar in a global political context: "It is a classic case of co-branding: the Art Basel brand has now ... read more
Daniel Cassady describes the launch of Art Basel Qatar in Artnews as an attempt to establish an art market in a region using a top-down approach: "The main question is whether Art Basel and the Qataris can ‘reverse engineer’ an art market by introducing a major international fair before a dense commercial gallery infrastructure exists locally. Whether that strategy succeeds ... read more