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Matthias Sander's otherwise critical report on the Art Genève fair for the NZZ is a little too concerned with being witty: ‘Some would rather be would rather be somewhere else. Local artists are delighted to have Art Genève as a big stage. And thirdly, a few well-known galleries are absent, which raises the question of what makes Art Genève what ... read more
Christiane Meixner is delighted with Brafa's 70 years in the , as reported by Artmagazine. Congratulations! read more
The dance on the volcanic ash is taking place. Matt Stromberg brings the good news at Hyperallergic: ‘Perhaps the biggest question lingering in the air was about the fate of the fair week's behemoth, Frieze, which tends to have a much larger proportion of international and non-local participants than the smaller fairs. On Friday afternoon, January 17, the fair finally ... read more
Last year was, to a large extent, just another Monday, and 2025 promises to be quite turbulent also. In recent weeks, reporting has been characterised by retrospectives and outlooks. Ursula Scheer has compiled a series of pictures with last year's top ten hammer prices in the FAZ. The major global auction houses had to cope with a sharp decline in ... read more
In the second half of the year, the auction market was still characterised by regionally different trends, as the third and final part of this review shows.Susanne Schreiber followed Christie's conference call on its half-year results in mid-July for the Handelsblatt: "Christie's CEO Guillaume Cerutti's video call with trade journalists had one message above all: to spread calm and confidence ... read more
The second half of the year was marked by Art Basel Paris' triumphant entry into the Grand Palais. But the second part of this review has even more to offer.Tokyo Gendai was not a roaring success in its second edition either, observes Sarah Douglas in mid-July for Artnews: “While some have hoped that a weak yen right now might encourage ... read more