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Kobel's Art Weekly 16 2024
Georg Imdahl emphasises the feel-good factor of Art Düsseldorf in the FAZ: "The feel-good factor in the former steelworks of the Böhlerhallen with its daylight is indeed hard to beat. A dealer from Düsseldorf isn't just being locally patriotic when he describes Art Düsseldorf as the second most beautiful fair after Paris+ in the Grand Palais Éphémère. Now that everything ... read more
Kobel's Art Weekly 15 2024
Following the discontinuation of the Fiac, Art Paris is increasingly establishing itself as a marketplace not only for the French middle market, observes Bettina Wohlfarth for the FAZ: "The fair offers galleries from the broad midfield a platform and sees itself as complementary to the top international fair in autumn, which has been organised by Art Basel for the past ... read more
Kobel's Art Weekly 14 2024
International coverage of Art Basel Hong Kong is less extensive than it used to be, as Art Basel says it wants to concentrate more on regional media and correspondents in its press work. In the FAZ (paywall), Ernst Herb sees the current edition of the fair as being dominated by the recently tightened security laws: "At the fair, the issue ... read more
Kobel's Art Weekly 13 2024
With the Salon du Dessin and Drawing Now, two art fairs are attracting specialised dealers and collectors to Paris. Bettina Wohlfarth reports for the FAZ: "Fragonard's study may already be taken, much to the chagrin of some connoisseurs, but other fantastic works can be discovered at the 32nd edition of the Salon du Dessin at the Palais Brongniart. A good ... read more
Kobel's Art Weekly 12 2024
Michael Huber allows himself a witty comparison as an introduction to his report on the Spark fair in Vienna in the Kurier: "An art fair resembles a goods train in a certain way. Not only because heavy and valuable loads are often moved: As an economic vehicle, a fair is always a combination, and if it is to be successful, ... read more
Kobel's Art Weekly 11 2024
A certain shyness towards discourse, which she calls "timelessness", characterises the Arco in Madrid, writes Ursula Scheer in the FAZ : "Abstract painting and minimalist approaches are much more prominently represented than the figurative art that dominates elsewhere. [...] ARCO 2024 radiates timelessness, far removed from ideologically charged debates and wrestling with one's own past, which were by no means ... read more